That’s because FCP X seems to function in reverse to a lot of the other editors out there, presumably in an attempt to keep editing workflows clear and smooth. However, for those that have edited on non-linear editors before it may be a little trickier to use.
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But the features and tools that are initially hidden can be easily opened and used on projects, so the software is no less sophisticated than its competitors. This simple user interface means they can jump right in and start editing videos quickly. All complex editing functions are hidden initially which makes it much more approachable for beginner editors or those new to the software. This macOS-only video editor is fast, and easy to use, as you would expect from a company such as Apple, who gears their focus around the user experience. That means there’s no confusion when it comes to backing up data, and less doubling-up on content, which, if you’re keen to minimise the storage footprint on your hard drive, is great news. Renaming files and other media from within Premiere Pro will also see the media on the storage device renamed, and this works the other way around as well. It’s a step-up in flexibility for multiple user workflow but it has some good benefits for independent editors that work alone, too. Premiere Pro uses Productions to increase organisation and synchronisation for multi-project workflows where there is a team of editors working on the same content. As well as After Effects, Premiere Pro works seamlessly with many other of the Adobe suite titles including Audition for audio editing, Photoshop and Illustrator for working with image files, and Adobe Stock.Render times in Premiere Pro can take quite a long time, occasionally bigger, more complex projects have been known to flare up issues with content the software can’t read, or generating errors.
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